Kerry Greenwood - The Green Mill Murder

'Ah dear, this is going to be one of those cases', said Detective Inspector Robinson resignedly. 'They always are when you are involved Miss Fisher.'

First of all I do have a confession to make: I am totally in love with Victor Freeman!

The Green Mill Murder is the 5th book about Phryne Fisher and together with Cocaine Blues probably my favourite one yet. Not really so much for the murder itself, but for the side-plot of Phryne bringing out her flying skills yet again.

Bernard Stevens is mysteriously murdered during a dance competition at the jazz club The Green Mill which Phryne attend with Charles Freeman. He seems to have been stabbed, but there was no one around to see what happened.

I will, as usual, get more into similarities/differences between the TV episode and the book in a later post, but already now I think I need to comment on the hatpin. In the TV episode, Phryne walks straight into the autopsy room. The pathologist is rather appalled by this, proclaiming that he has never seen a woman there before. Jack Robinson, reluctantly, says she can stay if she remains quiet. Phryne's presence however, turns out to be good since she is the only one thinking the murder weapon might be a hatpin. Because she has promised not to utter a word, however, she simply pick out one of her own and puts it above the stabbing wound.

From the TV version of The Green Mill Murder

This is one of my favourite scenes in the TV episode. Therefore I was pleased to see it in the book although in a slightly different setting. In the book Phryne and Jack have a rather different relationship than in the TV series and while he in the TV series still remain reluctant to let her participate in the investigations at this point, he is totally fine and seems to rather enjoy having her around in the book. Therefore the hatpin is brought up when he is at her house, talking to her about the case.

'I can think of one way that it could have been carried out', observed Phryne. 'And I bet you missed it.'
'How?'
'Hatpin', said Phryne shortly. Robinson inspected his fingernails and groped for his pipe.
'Oh lord, a hatpin. Could there be one long enough?'
'Dot? Can you bring down a bunch of the long hatpins?'

The reason why I have always loved the scene in the TV episode and why I love that it is in the book as well is how it shows that Phryne brings something new into Jack's murder investigations. It is obvious that a man, not even someone like Jack, would care to think that the murder weapon might be something as simple and feminine as a hatpin. It is actually a little like Voldemort's biggest flaw in the Harry Potter books. He does not care for the things he has no use for, which gives Harry Potter a great advantage. And the lack of knowledge and understandings about others who are not exactly like themselves is actually also a general problem among people today, not least among Westerners (particularly white men). This leads to an underestimation of others and of knowledge and understandings about the world and humans in general.

The Green Mill Murder has an interesting take on science, which stands in stark contrast to the perspective in Anna Lihammer's book Medan mörkret faller set in Sweden in the middle of the 1930's. In that book, the plots surrounds scientists getting drunk with the power they held in early 20th century Sweden due to the scientific racism institute and the law of compulsory sterilization put in place in 1934. This made some scientists think they were the new deities and could decide over people's life, death and procreation.

In The Green Mill Murders however, the view of science is much more humanistic. Two of the members of the jazz band is connected to medicine. Iris Jordan is a physical culture teacher and Hugh Anderson studies medicine to become a gynaecologist.

'... I think Iris has a point about medicine, you know. We tend to treat the disease, not the whole person. And she gets amazing results. Science isn't everything, though don't tell any of my lecturers that I said so...'

I find this point of view extremely interesting and very true even today. A disease is not an entire person and if we start seeing it like that, we lose grip of the person's identity entirely. It would be like trapping the person inside of the disease.

This is also shown later on in the book when Phryne meets Victor Freeman, a man who returned from the first world war shell-shocked (or with PTSD as we call it today). In the beginning of the book he is depicted as having changed because of the war and that he more or less got mad. However, as Phryne finally finds him, she does not meet a broken man. She meets a man who is rather comfortable living alone in the mountains. His disease prevents him from living with other people. The rest of him is completely lovely, so I am going to repeat myself: I am so in love with Victor Freeman!

One last thing maybe someone can enlighten me on because Iris says it is part of her job and it comes up a lot in English-speaking films, books and TV shows: Why is it called Swedish massage in English? We do not call it that over here in Sweden and I have always wondered how that name came about. What is so Swedish about it?

Gott nytt år! - Happy New Year!



Picture of second cover from here.